STOCKHOLM, Sweden, May 08 (IPS) – The World changes, though prejudices and misconceptions remain. In 1996, political scientist Samuel Huntington published The Clash of Civilizations and the Remaking of World Order, in which he predicted that people’s cultural and religious identities would become the primary source of conflict in a Post–Cold War World. Huntington’s allegations have been contradicted by a number of critics, among them American Palestinian professor Edward Said, who lamented their extreme cultural determinism, which omitted the dynamic interdependency and interaction of cultures. Said’s own Orientalism depicted a generalised “Western view” of Arab cultures as “static and undeveloped”, while European culture was considered to be “developed, rational, flexible, and superior.” Literature and movies have depicted Arabs as exotic men riding camels and horses through the desert, and their women as dangerously seductive objects of male desire. Eventually, the exotic men turned in to being terrorists, and/or depraved oil-rich magnates, while Muslim women were presented as veiled, enigmatic, and oppressed.
Read the full story, “A New Saudi Arabia? Changes on the Screen and in Reality”, on globalissues.org →
STOCKHOLM, Sweden, May 08 (IPS) – The World changes, though prejudices and misconceptions remain. In 1996, political scientist Samuel Huntington published The Clash of Civilizations and the Remaking of World Order, in which he predicted that people’s cultural and religious identities would become the primary source of conflict in a Post–Cold War World. Huntington’s allegations have been contradicted by a number of critics, among them American Palestinian professor Edward Said, who lamented their extreme cultural determinism, which omitted the dynamic interdependency and interaction of cultures. Said’s own Orientalism depicted a generalised “Western view” of Arab cultures as “static and undeveloped”, while European culture was considered to be “developed, rational, flexible, and superior.” Literature and movies have depicted Arabs as exotic men riding camels and horses through the desert, and their women as dangerously seductive objects of male desire. Eventually, the exotic men turned in to being terrorists, and/or depraved oil-rich magnates, while Muslim women were presented as veiled, enigmatic, and oppressed.Read the full story, “A New Saudi Arabia? Changes on the Screen and in Reality”, on globalissues.org →