Curators introduce playful touches to confound expectations about how art should be displayed
From the outside the Royal Museum of Fine Arts in Antwerp looks like the epitome of convention. The grand neo-classical monument, modelled on a Greek temple, first opened in 1890 and bears all the pomp and circumstance of its age. Yet behind the imposing facade are some playful and surprising touches.
In one room, a painting hangs at a crooked angle. In another, a luminous green cat sits menacingly in a cage with the door ajar. Elsewhere, a wall “comes to life” as an eerie curtain of rustling leaves. It is all part of a visit to the Royal Museum, known as KMSKA, which reopened in September after being closed for 11 years following a €100m (£87m) renovation.
Continue reading…Curators introduce playful touches to confound expectations about how art should be displayedFrom the outside the Royal Museum of Fine Arts in Antwerp looks like the epitome of convention. The grand neo-classical monument, modelled on a Greek temple, first opened in 1890 and bears all the pomp and circumstance of its age. Yet behind the imposing facade are some playful and surprising touches.In one room, a painting hangs at a crooked angle. In another, a luminous green cat sits menacingly in a cage with the door ajar. Elsewhere, a wall “comes to life” as an eerie curtain of rustling leaves. It is all part of a visit to the Royal Museum, known as KMSKA, which reopened in September after being closed for 11 years following a €100m (£87m) renovation. Continue reading…